A poem by Billy Collins
Billy Collins, former US Poet Laureate, shows us why we should be wary of comparing our lover to food and drink.—-Ted
Litany
You are the bread and the knife, The crystal goblet and the wine… -Jacques Crickillon
You are the bread and the knife, the crystal goblet and the wine. You are the dew on the morning grass and the burning wheel of the sun. You are the white apron of the baker, and the marsh birds suddenly in flight.
However, you are not the wind in the orchard, the plums on the counter, or the house of cards. And you are certainly not the pine-scented air. There is just no way that you are the pine-scented air.
It is possible that you are the fish under the bridge, maybe even the pigeon on the general’s head, but you are not even close to being the field of cornflowers at dusk.
And a quick look in the mirror will show that you are neither the boots in the corner nor the boat asleep in its boathouse.
It might interest you to know, speaking of the plentiful imagery of the world, that I am the sound of rain on the roof.
I also happen to be the shooting star, the evening paper blowing down an alley and the basket of chestnuts on the kitchen table.
I am also the moon in the trees and the blind woman’s tea cup. But don’t worry, I’m not the bread and the knife. You are still the bread and the knife. You will always be the bread and the knife, not to mention the crystal goblet and—somehow—the wine.
Billy Collins
Not quite sure quite how this shows us why we should be wary of comparing our lover to food and drink… I think he’s having a bit of a laugh really. I suspect his tongue was in his cheek when he wrote this (or perhaps a really good glug of burgundy). Good parody of old romantic poems though (sonnets spring to mind). I like it. Thanks.
However, I am much more interested in your father’s paella. Still can’t cook the bloody stuff anything like as good as the ones I have eaten in Spain.
Ted, thanks for the post. Not sure it is all that much about food, but I was tickled. You’ve prompted me to check out some more of Billy Collins’ work. Any pointers?